Sunday, December 30, 2012

2012 in Books (Martha & Shirley)

2012 continued the pattern of disenchantment with what Hilda's dubbed "the static."  You know The Static.  You used to read it.  Remember when every lie uttered by Bully Boy Bush resulted in an angry column (and eventually a book) by Joe Conason?  Or maybe when David Corn was doing the same?  The community's old enough to remember when Guantanamo was an evil that had to be closed (it's still open) and when spying on Americans was considered outrageous (it got extended last week).  We can remember when campaign finance reform matter (before the 2008 general election when Barack became the first presidential candidate of the two major parties to forgo public financing).  We can remember when wars of choice were protested.

How many hours did we waste back then on Air American Radio and Pacifica Radio listening to people jaw away about ethics?  Only to find those still on the air today make excuses for Barack's wars, for Barack's stabs in the back.  Only to discover that all the things that mattered and matter to us were just political footballs for most of the pundit set as they went after Bully Boy Bush.

"Count all the votes"?  The cry of 2000 after the theft of the election?  Hell, in 2008, the Democratic Party was giving Barack votes Hillary won -- giving him votes in a state (Michigan) that he wasn't even on the ballot of -- because he chose to pull his name from that ballot.

The Static is just a bunch of noise that doesn't have any real meaning to the writer.  It's the equivalent of tossing everything and the kitchen sink at a political foe in the hopes that something will stick.  Producers of The Static include Conason, Corn, Jim Hightower, Amy Goodman, Matthew Rothschild, Jane Mayer, Randi Rhodes, Kris Welch, Naomi Klein,  Keith Olbermann, Aimee Allison, and many others who could publish a dated suicide note tomorrow and it still wouldn't interest us.  They have no ethics and only pretend to care about issues like war and peace and the people of the world.  They exist to whore for Democrats and what we really need on the left is a vice raid.  If that happened, the only pundits left standing on our side might be Chris Hedges (who wrote the community favorite Death of the Liberal Class) and Cindy Sheehan.

Until that happens, don't expect too many of us to pick up 'political' books -- both because we no longer trust the authors and also because we don't want to support their whoring.

As with last year, biographies were popular, especially autobiographies. There were big books and small books.  In the end, the most popular ten, as voted by members of this community, were . . .


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1) Michael Gordon and Bernard E. Trainor's The Endgame: The Inside Struggle for Iraq, from George W. Bush to Barack Obama.  This sprawling and ambitious book was the source of an epic fail book discussion at Third.  (Never published there, a segment was included in the audio edition of Hilda's Mix.)  Instead, we were left with four columns on the book that Elaine and C.I. wrote for the gina and krista round-robin.  The New York Times' Gordon and retired general Trainor examine the how the actions of two US administrations failed to bring about democracy or peace in Iraq.  By refusing to offer easy comfort food to either Republicans or Democrats, the book became an orphan of the public affairs programs as host after host pretended the book just didn't exist.  This really is a great book.  Ava and C.I. noted how it was vanished from the public affairs program.  We'll note how it was vanished by certain 'authors' like Thomas E. Ricks.  Wonder why Ricks wouldn't rush to praise this book?  The answer's in its opening pages, "Too many American accounts of the war in Iraq have left out the Iraqis, or cast them as little more than a backdrop for dramas that were played out in Washington or among American commanders in Baghdad. But they are essential actors in their own nation’s drama. For this reason, Prime Minister Nuri al-Maliki and rivals like Ayad Allawi, Massoud Barzani, and Adil Abd al-Mahdi share the list of the hundreds of interviews we conducted along with Iraqi generals, police commanders, tribal sheikhs, and student protesters."  If, like Ricks, you'd written several books 'about' Iraq but never managed to include Iraqis, you wouldn't want to promote this book either.



2) A second reporter for the New York Times, John Schwartz, comes in at number two with his book Oddly Normal: One Family's Struggle to Help Their Teenage Son Come to Terms with His Sexuality. This was a moving book.  As Elaine noted in her review for El Spirito, it's a book about the struggle to parent.  The author (and his wife) battle the differences between embrace and smother, creating spaces and neglect.  Elaine observed, "It touches a chord because no matter what you do as a parent, you will always realize an hour or a year later, you could have done it a different way and done it better.  This is an honest and moving book."



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3) Ann Wilson, Nancy Wilson and Charles R. Cross' Kicking and Dreaming: A Story of Heart, Soul, and Rock and Roll.  Sisters Ann and Nancy Wilson formed the rock band Heart and finally got inducted into the Rock and Roll Hall of Fame this year.  They also joined with Charles R. Cross to tell their story.  As Ava and C.I. noted the point and counter-point Ann and Nancy bring to the book, "And in their different approaches, the two women bring different perspectives to enlarge the story they're sharing, a story that ultimately is about truth and honor and the hard fought wisdom that shapes us into not just who we are are but what we have become."  If we just covered audio books, this would have been the number one choice.


4)  Penny Marshall's My Mother Was Nuts.  Reviewing Marshall's comic biography for Polly's Brew, Doug observed in his conclusion, "Penny Marshall should write a volume of fairy tales.  Not only would it be charming, it would re-invent the genre as her book has just done with autobiographies." The actress came to fame on The Odd Couple and became a star as half of Laverne and Shirley moved on to star in one of the few memorable TV movies (Challenge of a Lifetime) before becoming a director (Big, A League of Their Own, The Preacher Man, Riding In Cars With Boys, Awakenings, Jumping Jack Flash and Renaissance Man).  Somehow she manages to share all of that in book form as well as what it's like being Gary Marshall's sister.  We'd be interested in seeing book sales because the highest rankings on this choice came from UK community members. (Highest rankings?  Our ballot to community members allows them to list five books and rank them.  That we have 'instant run-offs' -- something we recommend be used in national political elections.)




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5) Cyndi Lauper's A Memoir written with Jancee Dunn.  For those voting on just the audio format, Cyndi's book comes in at number two.  Lauper emerged as a colorful personality and an amazing singer in 1983 with a string of hits including the classic anthem "Girls Just Want To Have Fun."  Readers of the book might want to remember the quieter hit that she co-wrote: "Time After Time."  As with that song, Cyndi's in a reflective mood as she talks about leaving home at an early age and why, struggling in a business that didn't seem to value her, finally making it and facing a new set of obstacles.  It's a very strong book and Ava and C.I. covered it for Third.



Elizabeth Taylor



6) Darwin Porter and Danforth Prince's Elizabeth Taylor: There is Nothing Like a Dame.  This book was covered in Rebecca's "book 'em friday: liz taylor" and Marcia's "Elizabeth Taylor: There Is Nothing Like A Dame" and in Third's "The Elizabeth Taylor and Marilyn Monroe rivalry."  Community member Tori noted with her rankings, "If you had a 'summer read' or 'guilty pleasure' category, this book would come in number one.  It's a joy to read."


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7) Neil Young's Waging Heavy Peace.  Mike reviewed this for Polly's Brew, noting that singer-songwriter Young has the building blocks others don't.  "Writing 'They met in the Hollies and the Byrds,' about two people he knows is impressive enough but the two people are legends David Crosby and Graham Nash.  The book includes the kinds of insight and access that few others could manage because their authors were never up that close."


8) William J. Mann's Hello, Gorgeous: Becoming Barbra Streisand.  Rebecca and Marcia reviewed another book ("book 'em friday: new barbra bio delivers!" and "William J. Mann's Hello, Gorgeous") that made the top ten.  Marcia observed of the book, "But what I found especially illuminating were the sections on Diana Kind.  That's Barbra's mother.  In most books,  she can come off cold and indifferent.  This book provides an accounting of what she told her friends versus what she told Barbra.  You get a much better understanding not only of a complicated mother & daughter relationship but also of who Diana was as a person."  For Rebecca, what stood out was, "probably his biggest contribution to the streisand canon is documenting how so much that we think just was what it was, turns out, was pre-planned and choreographed."


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9)  David David Katzman's A Greater Monster.  This novel came out at the end of 2011 and Beth championed it near weekly in her column for the gina and  krista round-robin.   It is a jigsaw of writing and you find yourself  falling down the rabbit hole.  "A book to ponder and to read for the sheer life on the page," Beth observed as she offered the following sample paragraph:


Time is terrifying, time is unspeakable.  Clock-time lies down between moments . . . but distance warps with velocity, time bends with velocity.  Frames of reference.  Are not absolute.  Are selfish.  A private reality.  Clocks have a life of their own.  Framed by references. 




10) Louise Erdrich's The Round House.  This seems a fairly simple and straightforward tale.  However, the complexities grow as it unfolds and they layers and subtext will leave you eager for a reading buddy to discuss this with.  DeShawn reviewed this for the gina and krista round-robin. It was the third most popular book for those voting based on the audio format and it was the top novel in that format.  As DeShawn noted in his review, "In one word: engrossing."


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Martha and  Shirley have also done the year in books for 2011, 20102009, 2008, 2007, 2006 and 2005.























2012 Best in Film (Ann and Stan)

This is Ann's "2012 Best in Film (Ann and Stan)" and Stan's  "2012 Best in Film (Ann and Stan)."



Ann and Stan here to take a look at the best in film this year that you could stream or rent.  Though two summer films were huge hits, both "Avengers" and "Dark Knight Rises (and Falls)" were as hollow and weak as anything coming out of 4Kids Entertainment.  The future that awaits the fans of these films is the same one that awaited the big box office hit "Titanic" -- we're not talking about James Cameron's masterpiece, we mean the 1952 film that was a big hit with audiences at its time and an embarrassment within ten years of release.

The year's big trend appeared to be hopping on a moral soapbox for an easy stand.  World Can't Wait, Glenn Greenwald and countless others you've never heard of (for good reason) came out against "Zero Dark Thirty."   Why?  Because it's directed by a woman.  They're 'offended' by this film.  We're African-American and we're offended by Stephen Spielberg's "Lincoln."  Winning easy praise -- in part because of its Socialist screenwriter -- the film supposedly tells us about the country.  And, indeed, if telegraph operators sound more important to you than slaves or freed-Blacks who have to live in a world where people who look just like them are enslaved, then Spielberg's made just the film for you.  If, to you, a 'great' film on slavery is one that reduces the accomplishments of Black people, then embrace "Lincoln."  But it's a deeply racist and offensive film.  We also notice that although Spike Lee's called out "Django Unchained" (Quentin Tarantion's latest film), World Can't Wait is organizing no protests against it and 'film critic' and part-time American Glenn Greenwald has yet to write several vicious columns attacking the film.  (We haven't seen the film, so unlike Glenn and World Can't Wait's Debra Sweet, we won't condemn it.  We will applaud Spike Lee for calling out turning slavery into a video game.)  Here's a thought for Spielberg and Tarantino, as White men who so love to take bows for 'helping' the African-American race, do you think next time you do a film 'about' Black people, you might actually get an African-American writer involved, someone at the table who can explain to you how offensive your portrayals are. But don't worry, Steve and Quentin, you're men.  So no one will protest you.  Glenn Greenwald will organize no attacks on you.  You can continue putting racism on the screen and know that the only ones who'll call you out are African-Americans and, as the Guardian (home of Glenn Greenwald and others) and World Can't Wait demonstrate, African-Americans don't really matter.  Attacking women, that matters to them.  Thanks for the clarification in 2012, Glenn and Debra.

Once upon a time, a film year would provide a wealth of choices.  Not just the popcorn movies of summer (which have been boiled down to super hero costumes today), but films that explored relationships, explored ethics, explored family.  Today, we get the popcorn movies year round and we also get bloated and lifeless films like "Lincoln" which are supposed to be seen as the successors to "Reds," "Shampoo," "Klute," "On Golden Pond," "The Conversation,"  and other film explorations which actually had weight and life to them.  This year wasn't without promise . . .



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1) "Take This Waltz."  In a large part ("The Sweet Hereafter") or a small role ("eXistenZ"), Sarah Polley is always worth watching watching but her follow up to her directorial debut (2006's Away From Her) is so great that we're almost ready to say, "Sure, stop acting.  Just give us more films like this."  "Take This Waltz" is a drama and a comedy and a romance and there's nothing 'high concept' about it.  It's the most moving film of the year.  The film stars Michelle Williams and Luke Kirby as two people who fall in love despite her husband (Seth Rogen).  Sarah Silverman provides the kind of comic support as the best friend that hasn't been seen since Rosie O'Donnell's performance in "Sleepless In Seattle."  This film hits no wrong notes.

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2) "21 Jump Street."  We are not fans of TV shows turned into films -- we already suffering night terrors just picturing "Kojak: The Movie" -- but this film was hilarious and the funniest comedy of the year.  Channing Tatum and Jonah Hill have the kind of comedy chemistry not seen since Bob Hope and Bing Crosby.  Channing's a dick in high school and Jonah's a nerd but, needing each other to pass the police academy, they finally bond.  Their skills leave something to be desired and they're transferred to the undercover unit at, yes, 21 Jump Street.  The place where Tom, Judy and Doug (Johnny Depp, Holly Robinson Peete and Peter DeLouise -- all do a cameo turn in the film) used to get their assignments as they went undercover at various high schools.  Like the ones who came before, Channing and Jonah get an assignment, unlike their predecessors, they screw everything up.

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 They even take drugs -- necessitating the finger-bang they give each other in the men's room as they attempt to puke up the drugs.  Their inability to do so leads to a very funny scene where they trip in front of the school's coach.  Brie Larson, Ice Cube and Dave Franco give great supporting turns.  And Jake Johnson and Nick Offerman are wonderful in their brief scenes. If you're not laughing non-stop during this movie, you're just not someone who likes comedies.



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3) "Peace, Love and Misunderstanding." Director Bruce Beresford may have been one of the few directors interested in exploring the family in 2012.  Catherine Keener is an attorney who thinks things are okay when her husband leaves her.  She takes her two children (Elizabeth Olsen and Nat Wolff) go to Woodstock to visit her mother Jane Fonda.  Along the way Keener finds out she's not so right and also that she's not so wrong and, collectively, acceptance is the key to family.  A strong script, tight direction and excellent performances (the scenes with Keener and Fonda crackle with energy), the kind of films that Hollywood no longer makes unless the characters are in spandex and tights and soar through the skies.



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4) "Ted." What the hell is a stuffed teddy bear doing spanking Mark Wahlberg?  Proving that Seth MacFarlane can transfer to the big screens.  The guy responsible for "The Family Guy" and "American Dad" hasn't had much luck with live action TV shows but "Ted" demonstrates real strength.  MacFarlane directs, co-writes the screenplay (with Alec Sulkin and Wellesly Wild) and voices Ted the teddy bear.  The film's biggest weakness is the voice over.  And MacFarlane might have been smarter to have gone with a woman (say Joanne Woodward doing something similar to what she did for Scorsce's "Age Of Innocence").  Instead of offering excitement and promise, something magical, Patrick Stewart's voice over just sort of lays there.  If he made a mistake there (and he did), MacFarlane wisely used 'the voice of Meg' for the second lead.  Mila Kunis can act (see "Black Swan") but, in many of her roles, what stands out most is the actress is a good sport.  (Think of Jackie on "That 70s Show.")  That quality is sorely needed in this film.  If the actress playing Mark Walhberg's girlfriend gets too angry (and a woman would have every reason to) over Mark's relationship with his talking and walking (and pot smoking) teddy bear, the film falls apart.  And Walhberg?  He continues to be the most important film actor in America under the age of 60.



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5)  "Magic Mike."  A male stripper film worth watching?  Yes, when it's directed by Steven Soderbergh (who swears he's almost done with directing).  Soderbergh's crafted a seventies film in many ways, the layers of Lumet, the tensions of Pakula.  "Magic Mike" is not just a good film, it's his best film since "Sex, Lies and Videotape."  In a supporting cast that includes great turns by Alex Pettyfer, Olivia Munn, Joe Manganiello and Cody Horn, Matthew McConaughey gives an Academy Award worthy supporting performance.  Holding the film together onscreen is Channing Tatum who makes it look so effortless he's probably not getting the credit he deserves for this performance.


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6)  "Perfect Sense." When the world is no longer just falling apart, when it may be ending, is love still worth it?  David Mackenzie explores that question from Kim Fupz Aakenson's script with the help of Eva Green and Ewan McGregor.


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7) "A Cat In Paris."Alain Gagnol and Jean-Loup Felicioli direct this animated film about Zoe and her cat, her mother Jeanne the police superintendent, Nico the burglar, mobster Victor Costa among others.  Rare for an animated film, "A Cat In Paris" doesn't attempt to be cute or to play down to children while playing up to their parents.  This is a straight-forward film that happens to be animated, an animated film worthy of the term "film."





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8) "Bernie"  Like Channing Tatum, Matthew McConaughey placed two films on our top ten list.  This one is a dark comedy starring Jack Black as the mortician who makes nice with various family members in mourning and then sets his site on a non-mourning Shirley MacLaine who's not only the town's wealthiest citizen but also its most caustic, to put it mildly.  The town is amazed that Bernie can put up with the woman whose own family avoids her.  And then comes foul play.  McConaughey may be the only person in town who wants Black to pay for what he did.  This is director Richard Linklater's best film since "Dazed and Confused," and Black, MacLaine and McConaughy all hit acting high notes on this sleeper gem.  Our link for the film, by the way, goes to Netflix where you can stream it currently.




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9) "Moonrise Kingdom."  In the Wes Anderson canon, this film is way behind "The Royal Tenenbaums" and "The Life Aquatic with Steve Zissou" but somewhat ahead of "Rushmore."  Bruce Willis is a poor fit for the Anderson canvas and it seems truly monochrome without Anjelica Huston.  As a film about children that doesn't talk down to them, the film succeeds and the visuals make up for some of the gaps in energy.  It's a flawed Anderson film but one worth noting in spite of those flaws.



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10) "Detachment." Adrien Brody's steady performance steers Tony Kaye's ensemble film Detachment but James Caan, Lucy Liu and especially Marcia Gay Harden deliver in supporting roles.

The continued shame of the Committee to Protect Journalists


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Are we still pretending the Committee to Protect Journalists gives a damn about Iraq?  That's what they offer for deaths of journalists in 2012. We called them out earlier this month and we get to call them out again.  You'll note Iraq doesn't make the list.  The 20 "deadliest countries" and Iraq's not on the list.  The Philippines saw 1 journalist murdered and it made the list.

Where should Iraq be on the list?  As we pointed out, it should be above Brazil -- but that's if you care about truth.  Clearly CPJ doesn't care about truth or journalism.  Whoring's so much more fun.

As noted, we called them out earlier this month.  I'd leave it alone (having pissed off a CPJ friend with my earlier comments) except for one thing, the Iraq Journalists Syndicate released their report today.  There were five Iraqi journalists killed in 2012.  If you don't read Arabic and if you're a groupie for CPJ -- I certainly heard from a number of them in the last weeks -- then you can refer to Aswat al-Iraq, "The Iraqi press Syndicate said on Saturday that five journalists have been killed in Iraq in 2012 by armed group raising the number of media men who have been killed since 2003 to 373."  Or possibly you'd prefer Xinhua: "Five journalists were killed in Iraq’s violence during 2012, bringing the number of the journalists killed in the country to 373 since the U.S.-led invasion in 2003, an Iraqi journalists’ body said on Saturday."  So those who were bothered by 'meanness' to 'poor' CPJ?  You think maybe now you can join me in calling them out or are you just a bunch of pathetic losers?  Wait, don't answer that, you're journalists -- pathetic loser is pretty much in the job description.

How do we do that, how do we make excuses for cowardly organizations -- which beg for donations -- who refuse to do their jobs?  Who deliberately lie and obscure the truth?

Aswat al-Iraq called out Reporters Without Borders -- rightly called them out -- for ignoring Iraq.  This was a few days after we called out the Committee to Protect Journalists.  I was asked over the phone by various CPJ groupies why I didn't call out Reporters Without Borders?  Because we noted Aswat al-Iraq had.  They did it.  They did their job.  Good for Aswat al-Iraq.  We amplified what they did, there was no need for me to add to it.  But we stood alone in calling out CPJ.  And callers would say, "Well you know I can't read Arabic."  Okay.  Well now you have two reports in English noting that there were 5 jouranlists killed in Iraq.  So at what point do you intend to call out CPJ which left Iraq off the 2012 list?

According to CPJ, there were no journalists killed in Iraq.

So at what point do you stop excusing and covering for CPJ and grasp that you're on the wrong side in this argument, you need to be calling them out not whining about how 'mean' I was to 'poor' CPJ.



The e-mail address for this site is common_ills@yahoo.com.





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