Over the years, long after I had left the UFW and worked for other unions and then as a photojournalist, I would see Dolores again and again. Going to Watsonville to cover the organizing drives of strawberry workers or to Salinas for the strikes in the vegetable fields, I knew she’d be there. It was a profound experience to watch her in union contract negotiations—this diminutive woman facing off against the beefy growers across the table—and see the sense of power it gave workers. For Dolores and Eliseo Medina, another of my teachers, being a good organizer was the bottom line—doing what the workers needed.
Maria Elena Durazo, who came from a farmworker family to head the Los Angeles Labor Federation and now sits in the legislature, remembered, "In that world of rural California, it was the grape strike and the boycotts that taught us that the only way to end poverty and injustice was to organize together. It was the United Farm Workers who taught us that, and Dolores was the best teacher among many good ones."
Returning from Iraq, where I photographed workers after the 2003 US invasion, I took her picture in the front line of marchers against the war. When we were in Sacramento trying to stop the anti-immigrant, anti-affirmative-action, anti-bilingual initiatives, she was the first to speak out.
There was often tension in the UFW about radical politics, and being called a red was sometimes the route out the door. Fear of saying anything that could lead to getting fired enabled Cesar Chavez to exert such power that even otherwise aggressive and militant organizers and workers, like Dolores, didn't challenge him, whether about sexual abuse or political purges. Abuse is a fact in other unions I've belonged to, and progressive leaders have stayed quiet there too. We have to confront this system of male supremacy directly, and I know she believed this.
Her relationship with the Democratic Party was complicated. She supported some movements for political independence in the 90s, while also campaigning for mainstream Democrats. As the union's political director, she got the California legislature to pass a union recognition bill far better than the NLRA, as well as pesticide protections and overtime that don't even exist in other states. Randy Villegas, our hope for breaking the MAGA stranglehold on the southern San Joaquin Valley, is someone she's had her eye on for years. You could call her a realist.
Four years ago I walked with Dolores from Poplar to Delano, Calif., in honor of Larry Itliong, who started the 1965 grape strike and boycott there. She was 91 then, and I had a hard time keeping up. She sent me a note afterward that ended, “SÃ Se Puede con El Rojo Tocino.” It was a beautiful joke.
“SÃ Se Puede” are three words we all use now, but she invented this confident way of saying “Yes We Can!” “Tocino” was the nickname the union gave me in the years I worked as an organizer—it means “bacon,” my last name. And calling me “El Rojo,” or “The Red,” in this way honored my politics.
So when she called me El Rojo Tocino, I thought, “What a compliment!” I hope I live up to it.
Dolores Huerta and other farmworkers who marched for 20 days to Sacramento wore wooden crosses to show their status as peregrinos.
At the beginning of the Iraq War, Huerta marches with actor Danny Glover and an enormous crowd demanding that the troops be brought home.
Huerta explains to a meeting of rose workers the progress of negotiations of their union contract, at the UFW's historic Forty Acres headquarters.
In the 1980s Huerta speaks at a rally of longshoremen in San Francisco who have refused to unload coffee from El Salvador during the Central American civil wars.
Huerta marches with San Joaquin Valley farmworkers and activists, celebrating the birthday of Larry Itliong, the Filipino leader who started the 1965 grape strike.
Huerta and rose workers talk about the harassment of workers and women in the fields.
Huerta, a former school teacher, talks with children at Jefferson Elementary School in Oakland.
Huerta presents the union's proposals for a fair contract to the managers of the Bear Mountain Rose Nursery in the San Joaquin Valley.
In this edition of Get the Picture Podcast, host Brad Sigal talks with long-time movement photographer David Bacon about his recent 3-part workshop hosted by the UCLA Labor Center, “Photography for the Revolution.” They also dive into some progressive and revolutionary photographers throughout history like Alberto Korda and Tina Modotti, explore cases of political repression against independent journalists, and look at the political legacy of Ansel Adams with a more critical eye.
Immigrant Workers and the Recent History of Immigration Raids A presentation by David Bacon at the UCLA Latin American Institute, with photographs and transcript. 3/11/25 https://www.youtube.com/watch?v=5FlsyWTBWso BOOKS - LIBROS
Illegal People -- How Globalization Creates Migration and Criminalizes Immigrants (Beacon Press, 2008) Recipient: C.L.R. James Award, best book of 2007-2008 https://www.beacon.org/Illegal-People-P780.aspx
