Tuesday, October 10, 2023

memory and revolution in mexico city - photoessay

 

MEMORY AND REVOLUTION IN MEXICO CITY - Mexico City Streets
Social movements claim public space in one of the largest cities in the Americas.
by David Bacon
The Progressive - October 9, 2023
https://progressive.org/latest/memory-and-revolution-mexico-city-bacon-231009/
http://davidbaconrealitycheck.blogspot.com/2023/09/fighting-for-public-space-mexico-city.html




Every morning, taxi drivers in Mexico City weave through traffic while tuning in to radio announcements of marches and demonstrations. Protests-colorful, loud, and insistent-are a constant presence throughout the metropolis of 8.5 million people. Over the years, it has been easy to step out of a downtown hotel in the morning, walk a block up to the Reforma (Mexico City's central avenue), and join the crowds with my camera. Much of the political life of the city is found in the street, and its social movements use public space often as a reminder of earlier protests and actions that gave form to Mexican politics.

Those politics reflect an interplay between street protest and a more formal electoral process. Today, following a new, more open procedure for choosing presidential candidates (which is itself, in part, a product of peoples' movements), Mexico's governing party Morena (the Movement for National Regeneration) chose the city's mayor, Claudia Sheinbaum, as its candidate for the presidential election next June. Given the popularity of Morena and its founder, current President Andres Manuel Lopez Obrador, she is virtually certain to be elected.

Sheinbaum is an engineer, a skilled politician, and the daughter of a leftist family. If elected, she will be Mexico's first female head of state, joining a growing number of women who head or have headed governments throughout the Americas (notably not including the United States).

It's not just women in office changing politics-the country's Supreme Court recently struck down the prohibition of abortion. Women have been protesting abuse and gender-based violence for years, especially since the disappearance of scores of young maquiladora workers in Juarez, on the U.S.-Mexico border. It's no surprise, then, that women have taken over a traffic island in the middle of the Reforma to highlight these attacks and demand justice.

A metal, violet-colored silhouette of a woman with her fist in the air rises above the corrugated walls of a kiosk. The surfaces have first been painted back, and then the names of women murdered or subjected to repression have been hand lettered in white.

The number of names is extraordinary. Each panel of the kiosk emphasizes repression directed towards a particular group: One displays the names of women journalists; another lists Indigenous activists. It includes Bety Cariño, ambushed and killed in 2010 as she brought support to an autonomous Triqui town in Oaxaca, and Digna Ochoa, a defender of the poor, shot in her Mexico City office in 2001.

A third panel memorializes the forty-nine children burned to death in the ABC nursery in 2009.

On paper banners hung on strings at the edge of the curb are the words of ordinary women, giving accounts of abuse: "Because of fear, because of reprisals, because I was not protected," or "Because he was family, I was afraid of what they'd think of me, and when I told my mother, and she told his mother, they said I'd probably provoked him," or simply, "He scares me."



















Further up the Reforma is another permanent memorial. Not far from the guarded facade of the U.S. Embassy, and the buildings housing rich banks and government offices, is the Ayotzinapa encampment.

Nine years ago, students set out in commandeered buses from their teachers' training school in Guerrero to the annual march commemorating the death of hundreds of students in the city's Tlatelolco Plaza in 1968. Forty-three Ayotzinapa students were seized and disappeared. Through those nine years, the investigations into the perpetrators have reached into the highest levels of the government, especially the armed forces. While previous administrations tried to pretend the students were simply victims of a narcotics cartel, it has become clear that there were deep political reasons for their murder.

The Ayotzinapa school itself has been the target of the Mexican right for its history of training rural teachers. The school gave students a radical and Marxist analysis of their country, preparing them to be social organizers, even revolutionaries. It followed the tradition of one of its best known professors, Lucio Cabañas, who took up arms against the Mexican government in the 1960s.

Since 2014, new generations of Ayotzinapa students have kept up pressure on the government by coming to the capital every month. They have built a permanent camp on the Reforma, with cabins and shelters for sleeping and space for meetings. Surrounding it are silk-screened images of the disappeared students, strung in rows on the shelter's walls, facing the traffic. This planton, or encampment, even boasts a small library, cared for by Martin, one of a group dedicated to maintaining the space.


On September 28 the families of the 43 disappeared lifted another planton they'd maintained in front of the Military Camp #1 in Mexico City, after a new report from the Commission for Truth and Access to Justice authored by Undersecretary for Human Rights Alejandro Encinas.  Mexican President Andres Manuel Lopez Obrador stated, “We have not abandoned the case, we are going to continue investigating it for the mothers and the fathers, for justice and also for our convictions."  He gave a new order to the army to release files on the case it had withheld, including documentation of the personal involvement of past President Enrique Peña Nieto in covering up the crime
.

Public space is contested space for protest movements in any city. In some, any effort to create a permanent presence is greeted with fire hoses, arrests, and worse. Mexico City has its own history of trying to sweep social movements out of sight. But a tradition of popular protest is equally strong, including the planton. It has popular recognition, which the government must take into account.















Perhaps the Ayotzinapa encampment, and the Glorieta de las Mujeres que Luchan (the Roundabout of the Women in Struggle) are products of a certain political moment. But perhaps they will become as much a part of the recognized life of the city as the Angel of Independence,  the column that has towered over the Reforma since 1910, the first year of the Mexican Revolution.

The two occupations of public space each mark their own watershed in Mexican politics, and that change, with or without memorials, will perhaps last decades as well.

 

PHOTO EXHIBITIONS / EXPOSICIONES DE FOTOS
 

IN THE FIELDS OF THE NORTH / EN LOS CAMPOS DEL NORTE
Photographs by David Bacon



Global Museum
Fine Arts Building Room 203
San Francisco State University
1600 Holloway Avenue
San Francisco, CA 

October 3 - December 7, 2023
Tuesday - Thursday, 11-4 PM
Opening Reception October 14, 1-3 PM




MAS QUE UN MURO / MORE THAN A WALL
Photographs by David Bacon / Fotografias por David Bacon


 
International Meeting on Human Mobility 2023
Encuentro internacional sobre movilidad humana 2023
 
Museo Nacional de las Culturas del Mundo
Palacio Nacional
Moneda 13, Centro Histórico
Centro, Cuauhtémoc
06000 Ciudad de México
CDMX, Mexico

Through October, 2023

 

WHEN WE SPOKE OUT AGAINST WAR
Unearthing the history of protest against the wars in Iraq and Afghanistan
Photographs © by David Bacon

https://www.flickr.com/photos/56646659@N05/52759801492/in/album-72177720306862427/
 

BOOKS - LIBROS
 

MORE THAN A WALL / MAS QUE UN MURO



More Than a Wall / Mas que Un Muro explores the many aspects of the border region through photographs taken by David Bacon over a period of 30 years. These photographs trace the changes in the border wall itself, and the social movements in border communities, factories and fields. This bilingual book provides a reality check, to allow us to see the border region as its people, with their own history of movements for rights and equality, and develop an alternative vision in which the border can be a region where people can live and work in solidarity with each other. - Gaspar Rivera-Salgado

David Bacon has given us, through his beautiful portraits, the plight of the American migrant worker, and the fierce spirit of those who provide and bring to us comfort and sustenance. -- Lila Downs


Published by El Colegio de la Frontera Norte with support from the UCLA Institute for Labor Research and Education and the Center for Mexican Studies, the Werner Kohlstamm Family Fund, and the Green Library at Stanford University

Price:  $35 plus postage and handling
To order, click here:  

https://david-bacon-photography.square.site/product/more-than-a-wall-mas-que-un-muro/1?cp=true&sa=true&sbp=false&q=false

"The "border" is just a line. It's the people who matter." - JoAnn Intili, director, The Werner-Kohnstamm Family Fund


 
IN THE FIELDS OF THE NORTH / EN LOS CAMPOS DEL NORTE



Photographs and text by David Bacon
University of California Press / Colegio de la Frontera Norte

302 photographs, 450pp, 9”x9”
paperback, $34.95 (in the U.S.)

order the book on the UC Press website:
ucpress.edu/9780520296077
use source code  16M4197  at checkoutreceive a 30% discount

En Mexico se puede pedir el libro en el sitio de COLEF:

https://www.colef.mx

Los Angeles Times reviews In the Fields of the North / En los Campos del Norte - click here
 



WORK AND SOCIAL JUSTICE:
The David Bacon Archive exhibition at Stanford Libraries

https://exhibits.stanford.edu/bacon/browse

Exhibited throughout the pandemic in the Cecil H. Green Library at Stanford. The online exhibition (https://exhibits.stanford.edu/bacon), which includes additional content not included in the physical show, is accessible to everyone, and is part of an accessible digital spotlight collection that includes significant images from this body of work. For a catalog: (https://web.stanford.edu/dept/spec_coll/NonVendorPubOrderform2017.pdf)

 
Online Interviews and Presentations

Red Lens Episode 6: David Bacon on US-Mexico border photography
Brad Segal: 
On episode 6 of Red Lens, I talk with David Bacon.

David Bacon is a California-based writer and documentary photographer. A former union organizer, today he documents labor, the global economy, war and migration, and the struggle for human rights.  We talk about David's new book, 'More than a Wall / Mas que un muro' which includes 30 years of his photography and oral histories from communities & struggles in the U.S.-Mexico border region.
https://www.patreon.com/posts/71834023?fbclid=IwAR0BRhHYbrYU3BoeoAMFKU_zdHs5Xirmmt1LzQtfwf1yD8p9EYLXKhzzbDE

Letters and Politics - Three Decades of Photographing The Border & Border Communities
https://www.youtube.com/watch?v=Nvs6SyXsM-4
Host Mitch Jeserich interviews David Bacon, a photojournalist, author, broadcaster and former labor organizer. He has reported on immigrant and labor issues for decades. His latest book, More Than A Wall, is a collection of his photographs of the border and border communities spanning three decades.

Exploitation or Dignity - What Future for Farmworkers
UCLA Latin American Institute
Based on a new report by the Oakland Institute, journalist and photographer David Bacon documents the systematic abuse of workers in the H-2A program and its impact on the resident farmworker communities, confronted with a race to the bottom in wages and working conditions.

https://www.youtube.com/watch?v=UXKa2lHJXMs

David Bacon on union solidarity with Iraqi oil worker unions
Free City Radio - CKUT 27/10/2021 -

https://soundcloud.com/freecityradio/oct-27-2021-ckut-27102021-david-bacon-on-union-solidarity-with-iraqi-oil-worker-unions
 
Organizing during COVID, the intrinsic value of the people who grow our food
Sylvia Richardson - Latin Waves Media
How community and union organizers came together to get rights for farm workers during COVID, and how surviving COVID has literally been an act of resistance.

https://latinwavesmedia.com/wordpress/organizing-during-covid-the-intrinsic-value-of-the-people-who-grow-our-food/
 
Report Details Slavery-Like Conditions For Immigrant Guest Workers
Rising Up With Sonali Kohatkar

https://www.oaklandinstitute.org/report-details-slavery-conditions-immigrant-guest-workers

The Right to Remain
http://www.franknews.us/interviews/415/the-right-to-remain

Beware of Pity
http://www.franknews.us/interviews/525/beware-of-pity


En Español
 
Ruben Luengas - #EnContacto
Hablamos con David Bacon de los migrantes y la situación de México frente a los Estados Unidos por ser el principal país de llegada a la frontera de ese país.

https://rubenluengas.com/2021/03/video-mexico-estados-unidos-migracion-y-suenos-rotos-encontacto/

Jornaleros agrícolas en EEUU en condiciones más graves por Covid-19: David Bacon
SomosMas99 con Agustin Galo Samario

https://www.youtube.com/watch?v=YWQSvM9s1lw

"Los fotógrafos tomamos partido"
Entrevista por Melina Balcázar Moreno - Milenio.com Laberinto

http://www.milenio.com/cultura/laberinto/david_baconm-fotografia-melina_balcazar-laberinto-milenio_0_959904035.html

David Bacon comparte su mirada del trabajo agrícola de migrantes mexicanos en el Museo Archivo de la Fotografia
http://www.cultura.cdmx.gob.mx/comunicacion/nota/0038-18

 

Online Photography Exhibitions
 
Documentary Matters -  View from the US 
Social Documentary Network
Four SDN photographers explore themes of racial justice, migration, and #MeToo

https://www.youtube.com/watch?v=fWl-uENA7SQ&t=1641s
 
There's More Work to be Done
Housing Assistance Council and National Endowment for the Arts
This exhibition documents the work and impact of the struggle for equitable and affordable housing in rural America, inspired by the work of George “Elfie” Ballis.

https://www.thereismoreworktobedone.com/david-bacon
 
Dark Eyes
A beautiful song by Lila Downs honoring essential workers, accompanied by photographs

https://www.youtube.com/watch?v=bdC2gE3SNWw


A video about the Social Justice Photography of David Bacon:
https://drive.google.com/file/d/14TvAj5nS08ENzWhw3Oxra4LMNKJCLF4z/view

In the FIelds of the North
Online Exhibit
Los Altos History Museum

https://www.losaltoshistory.org/exhibits/in-the-fields-of-the-north/


Virtual Tour - In the Fields of the North
History Museum of Tijuana
Recorrido Virtual de la Exposicion - En los campos del norte
Museo de Historia de Tijuana

https://www.facebook.com/542258639265202/videos/659536991515786
 

THE REALITY CHECK - David Bacon blog
http://davidbaconrealitycheck.blogspot.com


Other Books by David Bacon - Otros Libros

The Right to Stay Home:  How US Policy Drives Mexican Migration  (Beacon Press, 2013)

http://www.beacon.org/productdetails.cfm?PC=2328

Illegal People -- How Globalization Creates Migration and Criminalizes Immigrants  (Beacon Press, 2008)
Recipient: C.L.R. James Award, best book of 2007-2008

http://www.beacon.org/Illegal-People-P780.aspx

Communities Without Borders (Cornell University/ILR Press, 2006)
https://www.cornellpress.cornell.edu/book/9780801473074/communities-without-borders/#bookTabs=1

The Children of NAFTA, Labor Wars on the U.S./Mexico Border (University of California, 2004)
https://www.ucpress.edu/book/9780520244726/the-children-of-nafta

En Español:  

EL DERECHO A QUEDARSE EN CASA  (Critica - Planeta de Libros)

http://www.planetadelibros.com.mx/el-derecho-a-quedarse-en-casa-libro-205607.html

HIJOS DE LIBRE COMERCIA (El Viejo Topo)
http://www.tienda.elviejotopo.com/prestashop/capitalismo/1080-hijos-del-libre-comercio-deslocalizaciones-y-precariedad-9788496356368.html

For more articles and images, see  http://dbacon.igc.org and http://davidbaconrealitycheck.blogspot.com
and https://www.flickr.com/photos/56646659@N05/albums

Copyright © 2023 David Bacon Photographs and Stories, All rights reserved.
you're on this list because of your interest in david bacon's photographs and stories
Our mailing address is:
David Bacon Photographs and Stories
address on request
OaklandCa 94601